Monday 25/09/217

Sep. 25th, 2017 08:14 am
dark_kana: (3_good_things_a_day official icon)
[personal profile] dark_kana posting in [community profile] 3_good_things_a_day
1) Last week of work before I'm off to Lisbon :D

2) Yum and healthy lunch with me to work: a salad and home made soup from my mother ^^

3) Boyfriend is joining me for grocery shopping this evening right after work. I even remember to bring grocery bags with me. Also, lazy evening planned.
sovay: (Morell: quizzical)
[personal profile] sovay
I don't understand Facebook's algorithms. Independent of any pages shared by my friends, it keeps presenting me with this photo of violinist Gil Shaham, upcoming guest of the BSO, and I cannot tell if it thinks that I am the sort of person who listens to classical music (true) or the sort of person who thinks this particular musician is great-looking (also true) and in either case I have no money for the symphony and extant commitments on one of the days he's playing anyway, but I still want to know which data they were farming to produce this result. Seriously, it's been every time I go to check in on the news. I'm not complaining, but I am puzzled.

Gil Shaham


(I did not make it to the Brattle's screening of A Matter of Life and Death (1946), so the question of whether I find David Niven as beautiful in that movie as Andrew Moor does will have to wait for another time.)

Star Trek: Discovery: Episode 2

Sep. 25th, 2017 12:10 am
sineala: The Enterprise (Star Trek: TOS) flying into the clouds (enterprise)
[personal profile] sineala
AAAAAAAAA.

Spoilers )
[syndicated profile] girlswithslingshots_feed

New comic!

Today's News:

Jamie's really into suggesting the most macabre option first and going up from there; it's good for giving perspective.

Here's the old strip! And here's the same image you saw all last week for The Complete GWS Collection, on Kickstarter!!

Star Trek: Discovery

Sep. 24th, 2017 10:13 pm
sineala: The Enterprise (Star Trek: TOS) flying into the clouds (enterprise)
[personal profile] sineala
I have seen the first episode of Star Trek: Discovery! It was good! I would watch the rest!

Spoilers )

Now please let the rest of it not suck.
fadedwings: (bird love)
[personal profile] fadedwings posting in [community profile] common_nature
I love these beautiful noisy birds. We have a few that come to the yard. It's hard to get pictures though because they're a bit shy. I had to take this between the railing on my porch.
Read more... )
copperbadge: (Default)
[personal profile] copperbadge
R: [chess partner] lost one of my black bishops from the chess set last weekend.

Sam: You should go to the thrift store and find something cool to replace it with! That’s how you get a really unique chess set.

R: So you’re saying his mistake became….a mistakapportunity? 

Sam: Of the millions of words that I thought you might say when you paused, mistakapportunity didn’t even make the list.

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via IFTTT

Remix Revival Reveals

Sep. 24th, 2017 03:47 pm
gramarye1971: white teacup of green tea with wooden chopsticks (Tea and Chopsticks)
[personal profile] gramarye1971
For the [community profile] remixrevival exchange, I was matched with [archiveofourown.org profile] makiyakinabe, and ended up going a little outside of my comfort zone to remix an AU I've never tried to write before: a daemon (His Dark Materials) AU of the World War II espionage anime Joker Game. The original fic, tools of the trade, put an interesting spin on the concept, so I kept the basic plot structure and made some tweaks to reinterpret the concept for a non-Christian culture. The result came out as Tsukumogami (The Subtle Knife Remix), and though I had to rework the ending a few times before I was completely satisfied with it, I think this idea turned out well.

In turn, I very much enjoyed the remix written from my own story -- Turn the Page (Don't Fear the Ending) by the always-delightful [personal profile] edenfalling! Based on The Monster at the End of This Book, a missing-scene fic for Salman Rushdie's Haroun and the Sea of Stories, the remix does an excellent job of presenting one of the important implicit themes in the book, about the choices that people (and women in particular) make when they feel that they aren't in control of their own stories. I highly recommend both the original book and this fic!

Authors Revealed!

Sep. 24th, 2017 04:34 pm
snacky: (narnia susan)
[personal profile] snacky posting in [community profile] narniaexchange
Hello all!

Final update to let you know that the authors have been revealed and we have come to the end of another NFE! Thank you all for participating, and thank you especially to the pinch-hitters, especially to ViaLethe and Transposable_Element, for helping to make sure everyone got their stories!

The stories were WONDERFUL this year, and I thank you all again, for contributing so much to the fandom.

The collection will remain open for a while, if anyone still has treats they want to upload.
sovay: (PJ Harvey: crow)
[personal profile] sovay
I dreamed I was in Providence last night, visiting friends who don't exist in waking life. There was no particular occasion—I hadn't seen them in months, NecronomiCon notwithstanding. I had brought one of them a ring I had found in a thrift store in Boston. It looked like heavy gold with a blurred device on the signet and chips of emerald down the band; I thought it was costume jewelry. It had been priced accordingly. The girl at the register hadn't been able to tell me where it came from. I almost tossed it to my friend as we walked through Burnside Park, telling him it had looked like his style. He didn't even put it on: he turned it over once or twice and dropped onto the nearest bench like someone had kicked his feet out from under him and burst into tears. I thought at one point he said, "How could you do this to me?" but I didn't have an answer and I wasn't sure he was asking me. When he left without looking at me, he left the ring resting on the bench behind him. I put it back in my pocket. I went back to their house. He was there helping his partner prepare dinner; no one said anything about it. I can do something with this dream, I think. [personal profile] spatch asked me months ago if I had ever written Lovecraftian noir and I couldn't think of a way to do it without being cheap or clichéd or ripping other authors off: I might have dreamed myself a way in. I just wish I could think of things that don't require research.

1. Thank you, question mark, Facebook, for pointing me toward this teeth-grinding article: Zoe Willams, "Yes, yes, yes! Welcome to the golden age of slutty cinema." I was a little wary of the opening, but then we reached the following claim—

"On the big screen, we look to the 1930s and 40s – rightly – for an object lesson in how to make a female character with depth, verve, wit and intelligence, but to expect those women to shag around would be unreasonable, anachronistic."

—and I blew a fuse. Can I chase after the author screaming with a copy of Baby Face (1933)? Or the bookstore clerk from The Big Sleep (1946)? Pre-Code cinema in general? A stubborn and sneaky percentage of Hollywood even after the ascendance of the Production Code? "It is a radical act," William writes, "which every film generation thinks they are the first to discover: to create characters who are not good people"—well, apparently every generation of film critics thinks they discovered it, too. I wrote on Facebook that I was reminded of the conversation between an ATS driver and her prospective mother-in-law in Leslie Howard's The Gentle Sex (1943), where the younger woman declares proudly that "for the first time in English history, women are fighting side by side with the men" and the older woman quietly lets fall the fact that she served as an ambulance driver on the front lines of the last war. Just because the young women of the rising generation don't know about the social advances of their mothers doesn't mean they didn't happen. Just because the author of this article lives in a retrograde era doesn't mean the onscreen representation of morally ambiguous women is some kind of millenial invention. It's so easy to think that the past was always more conservative, more blinkered, more backwards than the present. It's comforting. It's dangerous. It permits the belief that things just get better, magically, automatically, without anyone having to fight to move forward or hold ground already won. Once you recognize that the past, even briefly, got here first, it's a lot harder to feel superior for just being alive now. We can't afford it and anyway it isn't true.

2. Apropos of nothing except that I was listening to Flanders and Swann, I am very glad that I discovered them before reading Margery Allingham, otherwise I might have thought she invented "The Youth of the Heart." It's quoted in a scene in The Beckoning Lady (1955)—correctly attributed, but her books are so full of fictional artists and musicians that when I read of "Lili Ricki, the new Swedish Nightingale, singing Sydney Carter's lovely song against a lightening sky," I might have easily had the Avocado of Death problem and assumed she made them all up. As it is, I know the song from a recording of Swann performing it solo as part of At the Drop of a Hat in 1957, since he wrote the music. And I was reminded of Allingham because there's a copy of Traitor's Purse (1941) on Howard's bookshelves in Howard the Duck (1986). I assume someone in the props department was a fan.

3. The Somerville Theatre has announced its repertory schedule for October. I am sad that the double feature of James Whale's Frankenstein (1931) and Bride of Frankenstein (1935) is the same night that [personal profile] rushthatspeaks and I already have plans to see William Wellman's Beggars of Life (1928) at the HFA, but I am looking forward mightily to the triple feature of Psycho (1960), Psycho II (1983), and Psycho III (1986), because it is the Saturday before my birthday and five and a half hours of Anthony Perkins seems like a good preemptive birthday present to me. I have never seen Robert Wise's The Haunting (1963), either, or Anna Biller's The Love Witch (2016), and I always like Edgar Wright's Shaun of the Dead (2004). I know Brad Anderson's Session 9 (2001) was shot at the derelict Danvers State Hospital before it was demolished for condos, a decision which I hope is literally haunting the developers to this day. Anyone with opinions about the rest of this lineup?

I am off to write letters to politicians.

[ SECRET POST #3917 ]

Sep. 24th, 2017 03:43 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #3917 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


More! )


Notes:

Secrets Left to Post: 02 pages, 36 secrets from Secret Submission Post #561.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

boy, he drove on that ball hard

Sep. 24th, 2017 03:26 pm
musesfool: jensen, laughing (too pretty to die)
[personal profile] musesfool
Friday night, L and I went out for dinner for her birthday to a newish place in the neighborhood, and it was so nice. Expensive, but really nice. Burrata stuffed ravioli with roasted grape tomatoes! Steak frites! Moscato! And I had this delicious Café liégeois for dessert.

Yesterday, I started watching s1 of Wynonna Earp, as recommended by some of you, and I'm enjoying it so far, though it is also making me miss the first two seasons of Supernatural, or more accurately, Dean Winchester. This show is sisters fighting demons, and while writing-wise it's about the same level as SPN (though nothing quite sticks in my head like, "We were raised like warriors, Dean!" there have been a couple of moments where something happens, and then the rest of the episode acts like it didn't happen? And I don't mean lingering plot threads for later. I mean, like, the writers forgot what just happened previously?), but it has a lot fewer dead ladies so far spoiler ), and also Waverly, who is THE BEST NO LIE. is this a spoiler? ) The special effects are kind of 90s syndication terrible, but I don't mind that much. I don't even mind the love triangle that much, because Wynonna is just going to do what she wants, instead of being torn between the two choices, both of whom are interesting int heir own ways (though I personally would choose Dolls, despite whatever secrets he's been keeping; at least you know he didn't sleep with your great-great-grandfather).

I guess I'll finish season 1 tonight, and then see if I can track down where season 2 is streaming. (as an aside, I started watching this because Killjoys - also recommended by many of you - is still not on Netflix. Why?)

Now I have a terrible headache, which is not being helped by the Giants being terrible. Sigh. At least hockey starts soon?

eta: I guess I shouldn't complain too much - the Giants have just stormed back with 3 TDs in the 4th to take the lead.

eta 2: I take it back. I was right the first time.

***
isis: Write what you're told! (micah wright)
[personal profile] isis
Remix Revival authors have been revealed, at least for the main collection, so I can now post a link to my story!

To Paint a Symphony (Arrangement for Solo Piano) (1527 words) by Isis
Fandom: The Watchmaker of Filigree Street - Natasha Pulley
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Keita Mori/Thaniel Steepleton
Characters: Keita Mori, Thaniel Steepleton
Additional Tags: Synesthesia, Music, Established Relationship, Precognition, Remix
Summary: Possible futures, with musical accompaniment.
Remix of: to paint a symphony by [archiveofourown.org profile] Arzani

I actually matched on Black Sails, but none of [archiveofourown.org profile] Arzani's fics in that fandom gave me much of an idea, partly because I'm not a Flint/Silver shipper. But The Watchmaker of Filigree Street is such an interesting canon - I've written a couple of stories for it already - and when I read "to paint a symphony" I immediately wanted to tease out the thread in which Keita plays the different compositions Thaniel might make in the future based on what choices he makes about Grace, and Thaniel sees them in different colors, and write my version of that story. (If you haven't read the book, this won't make much sense. But it's been nominated for Yuletide again this year, if you're thinking about reading it. It has a m/m relationship and a mechanical octopus.)

Tiptoeing back into fandom

Sep. 24th, 2017 10:20 am
in_the_blue: (bamf & pirate kitty)
[personal profile] in_the_blue
If you're looking for an anything Marvel-based exchange, nominations are now open for this year's edition of [community profile] marvelismarvel.

We have a long nomination period so everyone has time to consider both Marvel Is Marvel and Yuletide. We had a great time with this exchange last year, and are looking forward to more beautiful fanfic and fanart.

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bjornwilde

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